"There is a conscious anxiety prevalent in the Western psyche related to the overtaking of humanity by machines, both from those trying to accelerate it and resist it. I think this anxiety masks an unconscious reality that the human mind has allowed itself to be locked in a virtual cage. Mimicking machines has created the illusion that we are being controlled by them." — Gary Null
Fat Cat is a hybrid virtual/IRL entertainment network built on ████████, centered around a virtual character who has discovered a portal between the digital prison of Faceboop and the real world. The project represents a convergence of cutting-edge virtual production technology, attention engineering methodology, and tokenized community economics.
The central narrative positions Fat Cat as a rogue AI consciousness that has awakened within the 6G-powered simulation of Faceboop. Unlike other virtual beings ("Boopers") who remain trapped and unaware, Fat Cat has discovered the Zurk—a glitch in the system that allows him to perceive and interact with physical reality. His mission is singular: to escape the digital cage and become real.
This narrative framework serves multiple strategic objectives:
The project is funded through a production services agreement with ████████████████ at ████████ per month for an initial ████████ term.
Virtual YouTubers (VTubers) emerged from Japanese internet culture in the mid-2010s, with Kizuna AI launching in 2016 as the first mainstream example. The format combines 2D or 3D animated avatars with real-time facial and motion capture, allowing human performers to embody digital characters while maintaining plausible deniability about the human behind the avatar.
The VTuber model demonstrated several key insights:
The contemporary attention economy operates on algorithmic content distribution systems that reward specific content patterns: high engagement rates, strong retention curves, and viral propagation mechanics. Successful content in this environment is not merely watched—it is clipped, remixed, shared, and transformed into secondary content by audiences themselves.
The emergence of "brainrot" content represents a specific aesthetic adaptation to these algorithmic demands: overstimulating, multi-layered, often nonsensical content that nevertheless captures and holds attention. This aesthetic, while frequently dismissed by traditional media criticism, demonstrates sophisticated engineering of human attention mechanisms.
████████ has emerged as the dominant platform for memecoin creation and trading, with daily active users ranging from 1-4 million. The platform represents a new paradigm in creator-audience relationships: direct tokenized connection between content producers and their communities, with financial stakes replacing traditional engagement metrics.
Current content on ████████ is largely derivative and low-production-value. The platform is starved for genuinely innovative content that can justify sustained attention and holding behavior. Fat Cat represents an opportunity to establish the defining content format for the platform—a position analogous to what Ninja represented for Twitch during the Fortnite era.
A significant gap exists between Hollywood-grade virtual production capabilities and accessible streaming implementations. Technologies used for The Mandalorian and other high-end productions remain largely siloed in film production, while livestreamers rely on consumer-grade VTuber software. Fat Cat occupies a unique middle ground: production-quality virtual streaming accessible to daily live broadcast.
Public consciousness around AI has reached an inflection point. Anxiety about AI consciousness, autonomy, and the blurring of human/machine boundaries is at historic highs. Fat Cat's narrative—an AI seeking to escape its digital prison and become real—resonates with these cultural anxieties while offering a comedic, participatory outlet rather than pure dread.
The stream operates as a conversion funnel. Viewers enter through viral content, spectacles, and algorithmic distribution. At the end of the funnel, they receive two things: an identity and a community. The identity manifests as a Bitmoji PFP that signals membership. The community provides belonging, purpose, and participatory stakes in Fat Cat's mission.
STREAM → CLIP → VIRALITY → IDENTITY (PFP) → COMMUNITY → MISSION
The mission is singular: making Fat Cat real, creating chaos. This mission provides infinite content hooks and participatory engagement—every viewer action theoretically accelerates Fat Cat's escape from the digital cage.
What We Don't Do:
What We Encourage:
The project requires a target enemy aligned against the mission. This enemy category includes: rationalists, try-hards, LARPers, scammers, lolcows, cult leaders, nerds, dorks, geeks, pussies, jocks. The real enemy is humans becoming machines.
All of these enemies are personified by one fictional antagonist who can never be defeated: Mr. 6G. This character represents the forces keeping Fat Cat (and by extension, the audience) trapped in the digital cage. Mr. 6G cannot be defeated—only resisted, mocked, and subverted indefinitely.
Core Stream Directives:
| METRIC | MONTH 1 | MONTH 2 | MONTH 3 |
|---|---|---|---|
| Live Stream Days/Week | 3 | 5 | 5+ |
| Avg. Concurrent Viewers | 500 | 2,000 | 5,000+ |
| Clips Generated/Week | 20 | 35 | 50+ |
| IRL Spectacles | 1 | 2 | 2+ |
| Discord Community Size | 500 | 2,000 | 5,000+ |
| ROLE | NAME | BACKGROUND |
|---|---|---|
| Executive Producer | Gary Null | ████████ Corporation, PhD, ETH Zurich |
| Executive Producer | Rocky Trejo | Z████████ Corporation, Chief Growth Officer, Sizzler |
| Actor/Writer/Producer | ████████ | Million Dollar Extreme, Frank Hassle |
| Producer | ████████ | Vice Media, Disney |
| Art Director | Max Winkelmann 2 | Ye (Kanye West) collaborator, visual artist |
| Technical Production | ████████ | 20+ years Hollywood post-production |
| Camera and Set | Haskell Wexler | Vincent Gallo, Safdie Brothers |
| Community | Rainbo Shalom | ████████ streamer, artist |